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iii
Thank you for purchasing the Korg TRITON proX, TRITON pro, or TRITON music worksta-
tion/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the
instrument as directed.
The owner’s manuals and how to use
them
The TRITON proX, TRITON pro, and TRITON come
with the following owner’s manuals.
Basic Guide
Parameter Guide
Voice Name List
Basic Guide
First read this manual carefully to gain a basic under-
standing of the instrument and to learn basic opera-
tion.
“Introduction”
explains the function of each part, how
to make connections, basic operation, and gives an
overview of each mode.
“Quick Start”
explains basic topics (hearing the demo
songs, selecting sounds, convenient functions for per-
formance). If you wish to begin playing immediately,
read this section first.
“Basic Functions”
contains mode-by-mode explana-
tions of what you need to know to edit sounds, record
on the sequencer, and record samples. This section also
explains how to use the arpeggiator, effects, and MIDI.
“Appendices”
explains how to install the Korg MIDI
Driver that you will need when connecting the instru-
ment to the TO HOST connector or to a computer, and
lists the specifications etc.
Parameter Guide
The Parameter Guide contains explanations and other
information regarding the operations of the parame-
ters and settings on the TRITON proX, TRITON pro,
and TRITON. The explanations are organized by
mode, page, and tab. Explanations and other informa-
tion on the effects and their parameters are also pro-
vided for each effect.
Refer to this guide when an unfamiliar parameter
appears in the display, or when you need to know
more about a particular function.
Voice Name List
This lists the multisamples and drumsamples that are
built into the TRITON proX, TRITON pro, and TRI-
TON, and the factory preset combinations, programs,
drum kits, and user arpeggio patterns.
Refer to these lists when you wish to know more about
the preloaded sounds.
Conventions in this manual
References to the TRITON proX, TRITON pro, and
TRITON
The TRITON proX, TRITON pro, and TRITON are col-
lectively referred to in this manual as the TRITON.
Switches and knobs [ ]
References to the switches, dials, and knobs on the
TRITON’s panel are enclosed in square brackets [ ].
References to
buttons
or
tabs
indicate objects in the
LCD display screen.
Parameters in the LCD display screen “ “
Parameters displayed in the LCD screen are enclosed
in double quotation marks “ “.
Boldface type
Parameter values are printed in boldface type.
Content that is of particular importance is also printed
in boldface type.
Procedure steps
1
2
3
...
Steps in a procedure are listed as
1
2
3
...
p.
These indicate pages or parameter numbers to which
you can refer.
Symbols
, ,
These symbols respectively indicate cautions, advice,
and MIDI-related explanations.
Example screen displays
The values of the parameters shown in the example
screens of this manual are only for explanatory pur-
poses, and may not necessary match the values that
appear in the LCD screen of your instrument.
MIDI-related explanations
CC#
is an abbreviation for Control Change Number.
In explanations of MIDI messages,
numbers in square
brackets [ ]
always indicate hexadecimal numbers.
Malfunctions due to incorrect operation may cause the
contents of memory to be lost, so we recommend that
you save important data on a floppy disk. Please be
aware that Korg will accept no responsibility for any
damages which may result from loss of data.
Also, when digitally recording copyrighted audio
material from a DAT or CD etc., you must obtain per-
mission for use. Please be aware that Korg will accept
no responsibility for any copyright violations which
may occur through your use of this product.
* Company names, product names, and names of for-
mats etc. are the trademarks or registered trade-
marks of their respective owners.
About this manual
Data handling
Vedere la pagina 0
1 2 3 4 5 6 ... 143 144

Sommario

Pagina 1 - Data handling

iii Thank you for purchasing the Korg TRITON proX, TRITON pro, or TRITON music worksta-tion/sampler. To ensure trouble-free enjoyment, please read th

Pagina 2 - Table of Contents

66. [VOLUME] sliderThis adjusts the volume that is output from the OUTPUT jacks (L/MONO, R) and the headphone jack.7. REALTIME CONTROLSUse the [REALTI

Pagina 3

96Arpeggiator settingsThis chapter describes the procedure for making arpeggiator settings in each mode. For details on the arpeggiator function, refe

Pagina 4

97Basic functionsother arpeggio patterns will be added to U200–U215(C)/U216–U231(D).4 Make settings for the various parameters.“Octave”: Select the oc

Pagina 5 - Introducing the TRITON

98For example, suppose that you set “Pattern Select” to P0: UP, check “Latch,” set “Top Key” to B3 and “Bottom Key” to C–1. The arpeggiator will opera

Pagina 6

99Basic functionsFor this example, set timbres 1–4 to a “Status” of INT, and timbres 5–8 to a “Status” of Off. Set the “MIDI Channel” of timbres 1–4 t

Pagina 7 - Overview of the modes

100channel). When the arpeggiator is on, playing the keyboard will cause arpeggiator A (which is assigned to T7 (Gch)) to run. T8 will be sounded by a

Pagina 8

101Basic functions3 In Global P6: User Arpeggio, select the Pattern Setup tab.4 If you moved here from Program mode, A will automatically be selected

Pagina 9 - Front and rear panel

102You can also select “Step No.” by using the [ ][ ] keys, the [VALUE] slider, the [VALUE] dial, or the popup menu.9 When you play the keyboard as sh

Pagina 10

103Basic functions5 For “Step No.” 05, do not enter a tone.6 Set “Step No.” to 06, and press the [1], [2], [3], [4] keys.Set “Gate” to Legato.7 For “S

Pagina 11 - Introduction

104If “Fixed Note Mode” is set to Trigger All Tones, playing a single note on the keyboard will cause the rhythm pattern to play.If “Fixed Note Mode”

Pagina 12 - Rear panel

105Basic functionsThe note timing of the arpeggiator will depend on the setting of its “Key Sync.” check box.If this is checked, the arpeggiator will

Pagina 13

7IntroductionNumeric keys [0] – [9][ENTER] key[–] key[./10’s HOLD] keyUse these keys to numerically input a parameter value. Use numeric keys [0]–[9],

Pagina 14 - ☞p.13) will close the popup

106Effects settingsThe effect section of the TRITON provides five insert effects, two master effects, one master EQ (stereo 3-band EQ), and a mixer tha

Pagina 15

107Basic functionsThe insert effects, master effects, and master EQ have the same structure in all modes, but the routing set-tings will determine how

Pagina 16 - Basic operation of the TRITON

108“Send 1”, “Send 2”: Set the send levels to the master effects. For this example, set this to 127.8 Select the IFX1–5 tabs, and set the parameters f

Pagina 17 - 3. Setting a parameter

109Basic functionshas passed through each insertion effect. If effects are chained, the settings after the last IFX in the chain will be used. “Send 1

Pagina 18 - Keyboard input

110to L000). When you are inputting a monaural audio source, you will normally set this to C064.“BUS (IFX/Indiv.) Select”: In the same way as for the

Pagina 19 - Connections

111Basic functionsMIDI applicationsMIDI stands for Musical Instrument Digital Interface, and is a world-wide standard for exchanging various types of

Pagina 20 - 6. Connections to a computer

112Incoming MIDI data will be handled with settings equivalent to “Key Transpose” 0, “Velocity Curve” 4, and “After Touch Curve” 3.• When controlling

Pagina 21 - Turning the power on/off

113Basic functionsConnecting an Apple MacintoshTo connect an Apple Macintosh with the TRITON, you will need a separately sold AG-002B connecting kit (

Pagina 22 - Listening to a demo song

114[...] indicates hexadecimal notationMIDI channelsMIDI messages can be exchanged when the transmit-ting and receiving devices are set to the same MI

Pagina 23

115Basic functionsProgram mode• In Program P0: Play, program change and bank select messages are transmitted and received on the global MIDI channel.

Pagina 24 - 3. Playing a cue list

8[VELOCITY] knobThis adjusts the velocity (playing strength) of the arpeggio notes. At the center position (12 o’clock), the velocity will be the same

Pagina 25 - Selecting a program

116• In Combination and Sequencer modes, the P3: MIDI Filter settings allow transmission/reception of control changes to be individually turned on/off

Pagina 26

117Basic functionssages to create changes in dynamics within the musical data of the song. (☞p.31, 49 in the Parame-ter Guide “Volume” - “MIDI)By usin

Pagina 27 - Selecting a combination

118• In Combination and Sequencer modes, transmission/reception of this message can be turned on/off independently for each timbre/track (☞p.35, 57 in

Pagina 28 - ☞p.39). Category names can

119Basic functionsSustain level (CC#70) [Bn, 46, vv]Attack time (CC#73) [Bn, 49, vv]Decay time (CC#75) [Bn, 4B, vv]LFO 1 speed (CC#76) [Bn, 4C, vv]LFO

Pagina 29 - SW1, SW2

120You can use the universal exclusive Coarse Tune message to adjust the overall tuning that corre-sponds to the Global P0: Basic Setup “Transpose” pa

Pagina 30 - [1], [2], [3], [4]

121Basic functionsMaster fine tuning [F0, 7F, nn, 04, 03, vv, mm, F7](A value of 8192 [mm, vv=40, 00] is center, 4096 [mm, vv=20, 00] is -50 cents, and

Pagina 31 - Keyboard

122Playing the TRITON multi-timbrally from an external deviceThe TRITON can be connected to an external device and played multi-timbrally in the follo

Pagina 32 - [GATE] knob, [VELOCITY] knob

123Basic functions• If you set Global P1: MIDI “MIDI Clock” to External MIDI or External PCI/F, the start of recording and the tempo etc. will all be

Pagina 33 - Using the arpeggiator in Pro

124Song Play mode• In Song Play mode, the TRITON can playback SMF data directly from a disk or external SCSI device (if the separately sold EXB-SCSI o

Pagina 34 - Settings in the LCD screen

125Basic functionsOther functionsWhen you play the TRITON together with other instruments, or along with music on a CD or tape, you may need to adjust

Pagina 35 - Using the arpeggiator as you

9Introduction9. ASSIGNABLE SWITCH jackA separately sold on/off foot switch such as the Korg PS-1 foot switch can be connected here (☞p.16).Its functio

Pagina 36 - Arpeggiator-A, Arpeggiator-B

1265 Set the “Foot Switch Polarity” to the polarity of the foot switch you have connected.If you have connected a Korg PS-1 pedal switch, set this to

Pagina 37 - Play/Recording) function

127Basic functionsYou can specify the function of the [SW1] and [SW2] keys (☞p.217 in the Parameter Guide).The functions of the [SW1] and [SW2] keys a

Pagina 38 - Simple program editing

128[MENU] key + numeric keys [0]–[9]• Access the pages within a mode[ENTER] key + numeric keys [0]–[9]• Access the page menu commands in each page (up

Pagina 39 - Simple combination editing

129AppendicesAppendicesInstalling and setting up the Korg MIDI DriverInstalling the Korg MIDI Driver into Windows 95/98If your application (sequencer)

Pagina 40 - Adjusting the volume

130Click the [OK] button, and then click [OK] again.6 Make settings as described in “Setting up the Korg MIDI Driver” (below), and click the [OK] butt

Pagina 41 - Saving data

Appendices1314 When you finish making settings, click the [OK] button. Alternatively, if you wish to cancel the changes you made, click [Cancel]. If yo

Pagina 42 - Assigning a name (Rename)

132To use the Apple MIDI Driver, you must first delete or move the Korg MIDI Driver if it exists in your system folder. Then start up PatchBay, dou-ble

Pagina 43

Appendices133TroubleshootingIf you experience problems, refer to the relevant item and take the appropriate measures.Power does not turn on• Is the po

Pagina 44 - Saving on external media

134with the send setting of the timbre/track.Cannot record a sample• Are one or more SIMM modules installed?...

Pagina 45 - MIDI data dump

Appendices135Specifications and optionsSystemHI (Hyper Integrated) synthesis systemModesCombination, Program, Sequencer, Sampling, Song Play, Global, D

Pagina 46 - Loading the preload data

10Names and functions of objects in the LCD screenThe TRITON’s LCD screen features a Touch View sys-tem that uses a touch panel.By pressing objects di

Pagina 47 - Program mode

136Audio inputsAUDIO INPUT 1, 2LEVEL [MIC/LINE] switch, [LEVEL] knobControl inputsDAMPER (half-damper supported), ASSIGNABLE SWITCH/PEDALOtherMIDI IN,

Pagina 48 - How a program is organized

Appendices137MIDI Implementation ChartDate : 1999. 04. 12TRITON proX, TRITON pro, TRITONBasic ChannelDefaultChangedAftertouchPitch Bend ************

Pagina 49 - Basic program editing

138IndexNumerics10’s HoldCombination 23Program 2112 dB/oct low pass filter and 12 dB/oct high pass filter 4824 dB/oct low pass filter with reso-nan

Pagina 50 - Velocity Zone tab

Appendices139Input guitar instrument 78Insert button 11Insert Effect(IFX) 34, 44, 51, 57, 79, 106, 107, 108, 109, 125JJoystick 25, 116Amount of pi

Pagina 51

140RoutingAUDIO INPUT 109Combination, Sequencer, Song Play 108Program 107Sampling 109RPPR 33, 72, 72Check box 33Playback 73Realtime recording

Pagina 52 - Filter 1 Mod. tab

11Introductione: (Category) popup buttonWhen you press this button, a tabbed popup menu will appear, allowing you to perform the fol-lowing selections

Pagina 53

12Basic operation of the TRITON● In order to use a particular function on the TRI-TON, you must first select the appropriate mode. Press one of the fro

Pagina 54 - Amp1 EG tab

13Introduction• Some pages have no tabs.5 To move to another page or tab, press the [MENU] key and repeat the procedure from step 2.The parameter valu

Pagina 55 - More about Alternate Modula

14[COMPARE] keyUse this key when you wish to compare an edited pro-gram or combination sound with the un-edited origi-nal (i.e., the sound that is wri

Pagina 56 - Combination mode

15IntroductionConnectionsConnections must be made with the power turned off. Please be aware that careless operation may damage your speaker system or

Pagina 57 - Basic combination editing

iv Table of Contents About this manual . . . . . . . . . . . . . . . . . . . . . . . . . . . iiiData handling. . . . . . . . . . . . . . . . . . . .

Pagina 58 - P1: Edit-Program/Mixer

16Play mode and output the sound from the OUTPUT jacks, connect a mic or an external audio source to the AUDIO INPUT 1 and 2 jacks.● For details on co

Pagina 59 - P2: Edit-Trk Param

17Quick StartQuick StartTurning the power on/offBefore you turn on the power, make sure that the desired connections have been made as described in “C

Pagina 60 - P4: Edit-Zone/Ctrl

18Listening to a demo songHere’s how to listen to a demo song on the TRITON.Contents of the disksThe TRITON series comes with two floppy disks (TNFD-00

Pagina 61

19Quick StartThe “Select .KSC Allocation” radio buttons specify how the sample data will be loaded into sample memory. For this example, select Clear.

Pagina 62

20Here’s how to playback the demonstration cue list. A cue list allows you to playback multiple songs in suc-cession, and specify the number of times

Pagina 63

21Quick StartSelecting and playing a programIn Program mode you can select a program from banks A–G and play it. Here we will show how to select prese

Pagina 64 - About each page in Sequencer

22Selecting programs from Category/Program SelectYou can select programs from a list organized by cate-gory. With the factory settings, the programs a

Pagina 65 - Cue List

23Quick StartSelecting and playing a combinationIn Combination mode you can select a combination from banks A–D and play it. Here we will show how to

Pagina 66 - Playback

24Selecting combinations from Category/Combina-tion SelectYou can select combinations from a list organized by category. With the factory settings, th

Pagina 67 - Recording

25Quick StartUsing controllers to modify the soundThe TRITON provides a variety of controllers that can be used to control the tone, pitch, volume, ef

Pagina 68 - Realtime recording on a track

v P3: Edit-FilterFilter settings . . . . . . . . . . . . . . . . . . . . . . . . . .48P4: Edit-AmpAmplifier settings . . . . . . . . . . . . . . .

Pagina 69

264 To release the locked condition, press the [SW1] key once again.Ribbon controllerWhen the [SW1] or [SW2] key function is set to Ribbon Lock, the s

Pagina 70 - Multi (multitrack recording)

27Quick StartBy adjusting the filter resonance level, you can increase or decrease the resonance level to add a unique charac-ter to the sound.By adjus

Pagina 71

28Note NumberAn effect can be applied by the note number (keyboard location) that you play.Normally this is used to control volume, tone (cutoff frequ

Pagina 72 -       

29Quick StartUsing the arpeggiator while you playThe arpeggiator is a function that automatically gener-ates arpeggios (broken chords). Most arpeggiat

Pagina 73

30Adjusting the length of the arpeggio notesRotate the ARPEGGIATOR [GATE] knob to adjust the length of the arpeggio notes. Rotating the knob toward th

Pagina 74 - Song editing

31Quick Start● Press the “Key Sync.” check box in the LCD screen to make this setting.Checked: When you take your hand completely off of the keyboard

Pagina 75

32Arpeggiator-A, Arpeggiator-BFor each arpeggiator A and B, you can make settings for “Pattern Select,” “Resolution,” “Octave,” “Sort,” “Latch,” “Key

Pagina 76 - Recording) function

33Quick StartPlaying with the RPPR (Realtime Pattern Play/Recording) functionThe TRITON’s Sequencer mode provides an RPPR (Realtime Pattern Play/Recor

Pagina 77 - RPPR playback

34Simple program editingProgram sounds can be modified and created in Pro-gram P1: Edit-Basic–P9: Edit-Master Effect. However, you can also use the “Pe

Pagina 78 - Single track recording

35Quick StartSimple combination editingA combination is a set of multiple (up to eight) pro-grams, and allows you to create complex sounds that could

Pagina 79 - Sampling mode

vi Effect settings for the AUDIO INPUT . . . . . . .109About dynamic modulation (Dmod) . . . . . . . . . .110 MIDI applications . . . . . . . . . .

Pagina 80 - In Sampling mode

36● If you wish to select a different program from the same category, press the desired program. That pro-gram will be highlighted. Press the scroll b

Pagina 81 - Samples and Multisamples

37Basic functionsBasic functionsSaving dataOn the TRITON, there are three ways to save data: writing to internal memory, saving on external media (flop

Pagina 82 - Sampling (recording a sample)

38The System Preference page will appear.4 Press the “Memory Protect” check box for the type of internal memory into which you wish to write data, so

Pagina 83 - Manual sampling

39Basic functionsWhen you have input the desired name, press the OK button to return to the Write Program/Write Combination dialog box.3 In “Category,

Pagina 84 - Auto sampling

40The example shown is for Write Arpeggio Patterns2 To execute the Write operation, press the OK but-ton. To cancel, press the Cancel button.When you

Pagina 85

41Basic functionsTo move to a lower directory level, press the Open button. To move to a higher level, press the Up but-ton.6 Press the page menu butt

Pagina 86 - Loop settings

42Restoring the factory settingsThe factory setting data is referred to as the “preload data”, and you can restore the factory settings for the TRITON

Pagina 87

43Basic functionsProgram modeIn Program mode you can select and edit programs. Program mode consists of pages P0–P9.In P0: Play you can play programs.

Pagina 88 - Multisample editing

44modify using the performance editor, you must turn off memory protect in Global mode (☞p.37), and write the program (☞p.38).The Arpeggio tab• Use th

Pagina 89

45Basic functionsProgram editing refers to the process of modifying the parameters that make up a program to vary the sound or to set controllers etc.

Pagina 90 - Playing SMF data

1 Introduction Introduction Introducing the TRITON Overview The TRITON is a music workstation/sampler that fea-tures the HI (Hyper Integrated) synth

Pagina 91 - Playback using the Jukebox

46If you press the popup button, all multisamples of internal ROM will be displayed, grouped into fif-teen categories.Use the tabs at left and right to

Pagina 92 - Playing along with SMF data

47Basic functionsController Setup tabFor each program, this tab lets you make settings for the [SW1] and [SW2] keys, and for the B-mode of REALTIME CO

Pagina 93 - Global mode

48P3: Edit-Filter Filter settingsThe filter allows you to diminish or emphasize speci-fied frequency areas of the multisample selected for the oscilla

Pagina 94 - Creating a drum kit

49Basic functions• “Intensity to A” and “Intensity to B” adjust the effect that keyboard tracking will have on filters A and B (☞p.13 in the Parameter

Pagina 95

50Use DKit SettingThis is valid when “OSC Mode” is set to Drums. If this is checked, the pan location specified by the Drum Kit for each drum sound wil

Pagina 96 - Disk mode

51Basic functionsP7: Edit-arpeggiatorArpeggiator settingsHere you can make arpeggiator settings (☞p.96).P8: Edit-Insert EffectInsert Effect settingsHe

Pagina 97

52Combination modeIn Combination mode you select combinations and edit them. Combination mode consists of pages P0–P9.To play a combination, select P0

Pagina 98 - Formatting media

53Basic functionsStatusFor each timbre 1–8, this indicates the status of MIDI and the internal tone generator. Normally, you will set this to INT if y

Pagina 99 - Cautions when handling floppy

54If you wish to keep a combination that you edited, you must Write it (☞p.38).Layer, split, and velocity switchWithin a combination, you can use keyb

Pagina 100 - Arpeggiator settings

55Basic functionsP2: Edit-Trk ParamSettings for status, MIDI channel, and playing modeMIDI Channel tabStatusSelect a “Status” of INT for all timbres t

Pagina 101 - Octave: 4

2 grams together with effects and two arpeggiators, in order to create complex sounds that could not be produced by a program. You can also make sett

Pagina 102 - Arpeggiator on/off

56Other tabDelay [ms]Specify the timing of the delay before each timbre sounds.Select the preset combination A127: One Fin-gerTVShow, and play a singl

Pagina 103 - Basic functions

57Basic functionsVel (Velocity) Zone tab (Velocity zone settings)For each timbre, you can specify a range of velocities for which it will sound. The r

Pagina 104 - About user arpeggio patterns

58Sequencer modeThe TRITON contains a 16-track MIDI sequencer. This sequencer is the center to which the TRITON’s numerous functions are integrated, a

Pagina 105

59Basic functions• The Track BPM Adjust function (playback pitch adjust) can automatically change the pitch of a sample/multisample that was sampled i

Pagina 106 - Chordal pattern

60● For details on how to access each page or modes, refer to “Basic operation of the TRITON” (☞p.12).If the separately sold EXB-MOSS option is instal

Pagina 107

61Basic functions** Musical data (MIDI RPN data) can be used to change the starting settings during playback.For details on control changes, refer to

Pagina 108 - Dual arpeggiator editing

62Playing a song (Play)When you wish to playback song data on the sequencer, you must first record song data, or load or dump song data into the TRITON

Pagina 109

63Basic functionsThe process by which your playing on the TRITON’s keyboard and controllers is captured on the tracks or patterns of a song as data is

Pagina 110 - Effects settings

64Realtime recording on a trackPreparations for recordingBefore you begin recording, you need to make track settings.Be sure to turn off the Global mo

Pagina 111 - Effect settings for a program

65Basic functions4 Press the [REC/WRITE] key, and then press the [START/STOP] key.If “Metronome Setup” has the default settings (refer to “Preparation

Pagina 112 - Insert effects

3 Introduction The TRITON has a large number of functions that let you play and edit programs and combinations, record and play sequence data, record

Pagina 113

665 Press the [REC/WRITE] key, and then press the [START/STOP] key.Playback will begin. When you reach the starting location you specified in step 3, r

Pagina 114 - About dynamic modulation

67Basic functionsUsing the Track Play Loop function to recordThe Track Play Loop function lets you specify a range of measures over which each track 1

Pagina 115 - About MIDI

68Copying combination sounds to multiple tracksYou can copy a combination sound to multiple tracks to record it.For the copy procedure, refer to “Copy

Pagina 116 - Special cable (AG-001B)

69Basic functionsIf you want the arpeggio to start at the moment that recording begins, turn off ARPEGGIATOR [ON/OFF], hold down a chord on the keyboa

Pagina 117 - Connecting an Apple Macintosh

70Track editingTrack editing is performed using the page menu com-mands of P5: Track Edit.Event Edit allows you to modify previously-recorded data or

Pagina 118 - Messages transmitted and

71Basic functions3 Press the Insert button three times. Steps 01–04 will become active.4 Select a song for each “Step” 01–04.Select S000: Intro for “S

Pagina 119 - Control change

72For details on the RPPR function, refer to “Playing with the RPPR function” (☞p.33). Here we will give an example of how to make RPPR settings, and

Pagina 120 - Controlling the volume

73Basic functionsRPPR playbackHere’s how you can use the RPPR function to perform in the P0: Play/REC page. You can also playback a song while you per

Pagina 121

74For example if you are using tracks 1 and 2 for RPPR playback and using track 3 for keyboard per-formance, you would set REC only for tracks 1, 2, a

Pagina 122

75Basic functionsSampling modeThe TRITON provides high-performance mono/stereo sampling.None of the multisample or sample data in Sam-pling mode is ba

Pagina 123 - Using RPN to edit

4 • You can use a cue list to set up consecutive playback of multiple songs, and specify the number of repeats for each song.• You can use a maximum

Pagina 124 - Universal system exclusive

76● For the procedure of entering each page or modes, refer to “Basic operation of the TRITON” (☞p.12).Sampling can be performed in any page P0–P8 of

Pagina 125 - If notes are “stuck”

77Basic functionsThe “fixed intervals” mentioned above are generally expressed as the “sampling frequency.” 48 kHz (kilo-hertz) means that sampling is

Pagina 126 - MIDI device as slave

78Preparations for samplingConnections and settings for a monaural sourceWhen sampling in monaural from a mic, the output of an external audio device

Pagina 127 - About standard MIDI files

79Basic functions4 Use the AUDIO INPUT [LEVEL] knob to adjust a suitable input level. (Refer to step 6 of “Connec-tions and settings for a monaural so

Pagina 128 - Sequencer mode

805 In “Sample Select,” select the sample that you wish to record. For this example, select ----: ---No Assign----.Immediately after the power is turn

Pagina 129 - Other functions

81Basic functionsCreating multisample indexes and samplingHere’s how to create indexes for a multisample, and assign a sample to each index.If desired

Pagina 130 - Changing the scale

82With the default settings after the power is turned on, the sounds you sample will automatically be looped (P0: Recording page Preference tab “Auto

Pagina 131

83Basic functionsThe grid is displayed according to the playback pitch of the base key (the key shown in gray in the “Keyboard & Index” area).You

Pagina 132 - Shortcuts

84Editing a multisample consists of creating indexes for the multisample and assigning a sample to each index (these basic settings can also be perfor

Pagina 133 - Appendices

85Basic functionsSong Play modeIn Song Play mode you can read Standard MIDI Files (SMF) directly from a floppy disk and play them. If you simply want t

Pagina 134 - Korg MIDI Driver settings

5 Introduction Front and rear panel 1. [SW1] key, [SW2] key These keys are on/off switches for the functions to which they were assigned in Program,

Pagina 135 - Connected Port

86When the “Status” of a track is set to EXT or BTH, the data played back by that track and the data produced by operating the keyboard or controllers

Pagina 136 - D-SUB 9-pin

87Basic functionsTo move to a directory that contains SMF data, press the [MENU] key, and then press “P3: Select Direc-tory” to display P3: Select Dir

Pagina 137 - Troubleshooting

88• Change the directory• Remove the floppy disk• Change drivesSaving a Jukebox listSaving procedure1 Use the procedure described above to create a ju

Pagina 138 - *Parameter Guide = PG

89Basic functionsGlobal modeIn Global mode you can make settings that affect the entire TRITON, such as user scales, category names, drum kits, and us

Pagina 139 - Specifications and options

90About drum kits A drum kit assigns a drumsample (PCM waveform data for a drum) to each key, and specifies adjustments in pitch and level etc. for eac

Pagina 140

91Basic functions6 Refer to the explanations below for the “Sample Setup tab” and “Voice/Mixer tab,” and make the desired settings.The parameters are

Pagina 141 - MIDI Implementation Chart

92Disk modeIn Disk mode you can use floppy disks or a connected external SCSI device (if the separately sold EXB-SCSI is installed) to save or load var

Pagina 142

93Basic functions2 Press the [DISK] key. You will enter Disk mode.3 Press the Load tab.The screen will appear, and file information will be displayed.4

Pagina 143

94Loading a .PCG file from the floppy disk included with a separately sold EXB-PCM series optionWhen loading EXB-PCM series programs and combi-nations,

Pagina 144

95Basic functionsWhen handling floppy disks, please observe the fol-lowing points. Data loss may occur if a floppy disk is handled improperly.Floppy dis

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