Korg Soundlink DRS REcording Console 168RC Manuale Utente

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2. Controls and their functions2. Controls and their functions Front panelO [PAD] key (INPUT channels A...D)These switches attenuate the input signal

9. MIDI Exclusive Data FormatCURRENT PROGRAM Z»TA DUMP 166EQ KF 1-12 000***** 12 EQ HP DATA l-12ch Shit DATAALL EQ HBKOHY NAHE DDHPReply I F0,42,3n,3D

со170EFFECTMEMORY NAME0*******10ASCII DATA EFFECT MEMORYNAME N0.18180 EFFECT MEMORY NAME10ASCII DATAEFFECT MEMORYNAME N0.19190 EFFECT MEMORY NAME 0***

coсл19980PROGRAM DATA 0******* 370 PROGRAM N0.054 DATA.DUMP.108 EQ MEMORY DATA0»**9 EQ MEMORY N0.013 DATA.DUMP.20350PROGRAM DATA0**..*.*370 PROGRAM N0

CD<J>PROGRAM CHANGE HAP DUMP61 PROGRAM MAP NO. 0******* 1 PROGRAM:61 MAP NO.19PARAMETER 010 L 0*******1 CHANGE MAP NO.LowReply( FO,42,3n,3D,5D,O

90PARAMETER046 K91PARAMETER046 L92PARAMETER047 H93 PARAMETER047 L94PARAMETER048 H95 PARAMETER048 L96 PARAMETER049 H97PARAMETER049 L98 PARAMETER050 H99

CO(X)303PARAMETER152Lo«.*.*.*1CHANGE MAP NO.Low304PARAMETER153 H 0**»*“* 1CHANGE MAP NO.High305PARAMETER153 L0**.i*i.1CHANGE MAPNO.Low306PARAMETER154

516PARAMETER259H0*n***i1CHANGE MAP NO.High587PARAMETER294LQ*******1CHANGE MAP NO.LOW517PARAMETER259L0******* 1CHANGE MAP NO.Low588PARAMETER295H0*...*.

oo729 PARAMETER365 L 0******* 1CHANGE MAPNO.Low800 PARAMETER401 H0*******1CHANGEMAPNO.High871PARAMETER436 L0*******1 CHANGE MAPNO.Low730 PARAMETER366

942PARAMETER472 H0**.****1CHANGE MAP NO.High 1013 PARAMETER507 L0*******1CHANGE MAP NO.Low 1084 PARAMETER 543H943PARAMETER472 L 0*******1CHANGEMAPNO,L

oro1155 PARAMETER578 L0*******1 CHANGE MAP NO.Low1226PARAMETER 614 H 0‘****‘*1CHANGE MAP NO.High1156 PARAMETER579 H0*******1 CHANGE MAP NO.High1227PAR

Chapter 1. Basics0 [SEL] keys (channels 1...12, 13... 16)These keys select the channel that will be edited in the LCD. For channels 13-16 press the ri

[dBu]OCO(D<SQr-(DI.§•0)Chapter 6. Reference

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168RG MEMORY LIST168RC MEMORY LISTProgram Preset ChartEffect Preset Chart#00Preset PGM Reset parameter#01Rec adat 1 Basic tracking with 1 adat#02Mix a

Chapters. Reference106

[KORG 168RC Recording Console]Model MIDI Implementation ChartDate: July 1996 Version: 1.0Function...TransmittedRecognizedRemarksBasicDefault1~16i~i6M

Chapters. ReferenceIndexSymblos[C] key...15AADAT-OPTICAL cable...

IndexKKnob icons...14KORG TRINITY...

Chapters. ReferenceSend Param...33Send Exclusive...

SrPNOTICE-KORG products are manufactured under strict specifications and voltages required byeach country. These products are warranted by the KORG di

2. Controls and their functions0 [l/S/Pl (Input/Send/Pan) keyThis key accesses I/S/P mode, in which you can select audio input sources, and set phase,

Chapter 1. Basics® Master level meterThis indicates the level of the signals being output from the MASTER OUT jacks.® [TAPE IN/MONITOR] keyThis key se

2. Controls and their functionsRear panelO [PHANTOM power] switchThis switch supplies power to condenser mics etc. which are connected to INPUT A and

Chapter 1. Basics0 LINE IN jacks (E...H)These are balanced TRS phone jacks. Standard unbalanced phone plugs can also be connected. The input impedance

3. Signal flow and mode3. Signal flow and modeThe following diagram is a simple depiction of the 168RC's internal signal flow.MON L MON RAnalog

Chapter 1. BasicsInput patching <INPUT mode, l/S/P mode, Ex.BUS lO mode>The analog and digital audio signals which are input to the 168RC pass

3. Signal flow and modeMaster fader <panel controls>This adjusts the master L/R level.Meters <METERS mode, panel controls>Ch Meter in ME

Chapter 1. Basics4. Reading the LCDProgram number/nameThis is the name and number of the current program. When saving or recalling, it will be highl

IMPORTANT SAFETY INSTRUCTIONSWARNING — When using electrical products, basic precautions should be followed, including the following:1. Read all the

5. Parameter editing5. Parameter editingThis section explains how you can modify parameter values.O Select a modeThe 168RC has sixteen modes: MISC, E

Chapter 1. BasicsO Modify parameter valuesIn the group of knobs located below the LCD, rotate or press the knob which correspondsto the desired param

5. Parameter editingModifying the setting of a switch icon qjThis icon represents an on/off switch. The setting will alternate on or off each time the

Chapter 2. TutorialChapter 2. TutorialThis chapter explains the procedure for connections, recording, and mixdown on a basic system consisting of an 1

3. Setting the clock source2. Turning on the powerTurn on the power of each connected device.A Please be careful of the order in which you turn on/of

Chapter 2. Tutorial4. Check settings before you startSo that sound will not be accidentally output frona channels or buses during operations, and to

7. Monitor the signals input to channels 9 and 106. Input the keyboard signal to channels 9 and 10Make settings so that the signal from the keyboard

Chapter 2. Tutorial8. Send signals to the adatSend the signals from channels 9 and 10 to the adat which is connected to adat OPTICAL OLIT A.O Send th

9. Input the signals sent to the adat into channels 1 and 29. Input the signals sent to the adat into channels 1 and 2Input the return of the signals

Chapter 2. Tutorial10. Pairing settingsPairing is a function which allows fader, mute, and EQ settings to be performed together for an odd/even pair

THE FCC REGULATION WARNINGThis equipment has been tested and found to compiy with the iimits for a Ciass B digitai device, pursuant to Part 15 of the

12. Apply an effect to the signal sent to the adat12. Apply an effect to the signal sent to the adatUse the internal effect 1 to apply chorus to the

Chapter 2. Tutorial13. Apply an effect to the signal sent from the master L/RUse the internal effect 2 to apply reverb to the signal which is input t

19. Recalling a program18. Saving a programThe settings of all paranaeters except for the analog section, MIDI mode, and the CLK Source setting of MI

Chapter 2. Tutorial20. Other convenient functionsThe 168RC has a variety of convenient functions. For the operating procedures, refer to the page refe

1. Mise modeChapters. ParametersThis chapter explains the parameters of the 168RC for each mode.7. MISC mode Pairing1/23/4 5/6 7/89/10 11/1213/M15/16Q

Chapters. ParametersA For the digital processing to be synchronized with the connected device, the CLK Source settings and connections must be

2. Ex. Bus lO mode2. Ex. BUS lO modeInput Sel.DIG-Al4,ML:El:DIG-Al Gl:DIG-Al G5:DIG-A1DIG-AlMR:_____E2: DIG-Al G2: DIG-Al G6: DIG-AlDIG-AlAl: DIG-Al

Chapters. Parameters3. MIDI mode MIDI Menut PGM Chi >NIDI MEHLIProgram Mapping Parameters Mapping Send Parameters Send Exclusive[EHTR]In this men

3. MIDI modeThe following parameters from Tx Base Ch through MIDI Type, which are marked by will beset automatically when you make a selection for th

Chapters. ParametersHere you can specify the correspondence between program change numbers and the program numbers of the 168RC. For each prog

Thank you for purchasing the Korg SoundLink DRS 168RC Recording Console.In order to enjoy many years of trouble-free use, please read this manual care

3. MIDI modeSend Parameter (Send Param)$FADERSMUTE EFFECT EQ BUS MASTERPAH SHD MASTERBUSINPUTSEND]_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _OTHERSAll Param

Chapters. Parameters4. PGM mode Programt PGM Chi >Pro9ramP.00:Preset PGM P.0l:P.02:_ _ _ _ _ _ _ _ _ _ _|$P.03:IS!SSa^H P.04:Guitar2 l SPUE] [LQC

5.1/S/P mode5. I/S/P modeInput/Send/Pan (Chi...Chi2)Here you can select the input source for each channel, and set phase, pan, and the various send l

Chapters. Parameters6. EQ modeChannel EQ (Ch EQ)EQ In Ш if ti]l!lPadО glO ^ ОHz dBMF О MQЯЯМ B№M ШШHz dB9 оHz daOlEKIIHere you can adjust the EQ for

6. EQ modeEQ MemoryKick Druml02:Kick Drum2 l 07: 03: 08: 04: 09: 05: 10:URITE] [LQCKliNAME] [RE8D][EXIT](<^/'t-)Here you can manage EQ me

Chapters. Parameters7. BUS mode Bus AssignMaster tanmST-Group QlmsGIO G2Q1 G30 G4Q) G50 GGO G7Qt G80 OFF OFF OFF OFF OFF OFF OFF OFFHere you can make

8. INPUT mode8. INPUT modeThe contents of this mode can also be set from I/S/P mode. If you wish to view the settings of all channels simultaneously a

Chapters. Parameters9. AUX SND modeThe contents of this mode can also be set from I/S/P mode. If you wish to view the settings of all channels simulta

12. EFF1/EFF2 mode12. EFF1/EFF2mode Effl I/O, Eff2 I/OHere you can apply effects to the signals that are sent on the EFFl /2 buses, and send the proce

Chapters. ParametersEff MemoryHere you can manage effect memories. Up to 50 effect memories can be used (common to bothEffl and Eff2).Write [WRITE]:Wr

ContentsIMPORTANT SAFETY INSTRUCTIONS...iiAbout the 168RC

13. BUS MASTER mode13. BUS MASTER modeGrp. LevelIP 0U+F'rt*j:-01- F'Idf 1 Uh 1 /IdT'F‘ L001 - ^0 "01 lill“ 0” r 11“O O O O

Chapters. Parameters14. SND MASTER modeMonitorMstr O P [USAuxl Aux2 Effl Eff2 Q) O 51 Qlms ms ms [USGrp.Link 51msG15 G2S1 G35 G45 G551 G65 G?5 G85

15. METERS mode15. METERS modeCh MeterP.üü+Pre:=e+.- PGM Chi !-=Ch Meter' '-'M ?Al 02 OS 04 OS 0& 07 OSBl B2 SS B4 0 F G H- - 12- -

Chapter 4. EffectsChapter 4. EffectsThis chapter explains the effect types of the 168RC.00: Reverb HallThis effect simulates the reverberance and ambi

03: Reverb BrightRoom02: Reverb RoomThis is a reverb in which the early reflections are emphasized, producing a tighter-feeling room. By adjusting the

Chapter 4. Effects04: Reverb Wet PlateThis is a simulation of a high-density plate reverb. It produces warm reverberation.05: Reverb Dry PlateThis is

06: Early Reflections06: Early ReflectionsThis is an effect that isolates only the early reflections from the reverb simulation. This provides a usefu

Chapter 4. Effects07: L/C/R DelayThis is a multi-tapped delay with three taps: left, right, and center. The left/right spread of the delayed sound can

08: Mod. Delay (Modulation Delay)08: Mod.Delay (Modulation Delay)This is a delay that allows the delay time to be swept by an LFO. Since the pitch wil

Chapter 4. Effects09: ChorusThis is a stereo-output harmonic chorus. The left and right LFOs can be biased to control the spaciousness.If0 TYPE

2. Ex. BUS lO mode... 293. MIDI m

11: Detune10: M.tap Chorus-Delay (Multitop Chorus-Delay)This is an effect with two choruses that have differently-phased LFOs. For each, you can inde

Chapter 4. Effects12: Bi Phase Mod. (Bi Phase Modulation)This is a chorus which uses a waveform that is the sum of two different LFOs. The frequency a

13: Ensemble13: EnsembleThis is an ensemble effect with three chorus blocks. The blocks are output to left, right, and center, producing an ensemble e

Chapter 4. Effects14: Rotary SpeakerThis effect simulates a rotary speaker. Since the low frequency range rotor and the high frequency range horn are

15: Pitch Shifter15: Pitch ShifterThis effect changes the pitch of the input signal. You can choose one of three types: fast response, high sound qual

Chapter 4. Effects16: Pitch Shift Mod. (Pitch Shift Modulation)This effect uses an LFO to modulate the pitch shift amount of detuning. The effect soun

17: Limiter17: LimiterThis effect limits the volume of the input signal to a specified level. This is similar to what a compressor does, but a limiter

Chapter 4. EffectsLimiter ATCK limiter RISE1...1001.J00Specify the attack time and release time of the compres-sion.Output PAN Output LEVI Side EQ THR

18: Multiband Limiter18: Multiband LimiterThis effect applies separate limiters to the low range, mid range, and high range of the input signal. Sinc

Chapter 4. Effects19: Wide EnhancerThis effect includes an exciter, and also adds spaciousness and presence to the sound. It can be used to convert a

27; Delay-Phaser...7028; Phase

20: Auto Pan20: Auto PanThis is an auto pan effect that moves the sound between left and right.LFOTYPE Triangle, SineSelect the LFO waveform.LFO SHPE

Chapter 4. Effects21: Graphic EQThis is a 7-band graphic equalizer. The gain setting of each band is shown as a bar graph, providing an intuitive and

22: EQ-Earìy Reflection22: EQ-Early ReflectionIn this effect, the sound passes through a 2-band parametric equalizer and an early reflection effe

Chapter 4. Effects23: EQ-DelayIn this effect, the sound passes through a 2-band parametric equalizer and then a delay.Bandi FREQ 100HZ...10.0 kHz Set

24: Exciter-Tap Delay24: Exciter-Tap DelayIn this effect, the sound passes through an exciter which adds sparkle to the sound and emphasizes its outl

Chapter 4. Effects25: Delay-ChorusIn this effect, the input signal passes through a delay effect, and then through a chorus effect which modulates th

26: Flanger-Delay26: Flanger-DelayIn this effect, the sound passes through a flanger effect which creates a sensation of strong modulation and pitch

Chapter 4. Effects27: Delay-PhaserIn this effect, the input signal passes through a delay effect that creates echoes, and then passes through a phaser

28: Phaser-Tremolo28: Phaser-TremoloThis effect links the LFO of a phaser and tremolo. The phaser modulation and the tremolo modulation will be synch

Chapter 4. Effects29: Gale-LimiterAfter being sent through a gate effect that mutes the input signal when it falls below a specified level, the signal

1. Features of the 168RCChapter J. BasicsThis chapter explains the parts of the 168RC and their function, how mode and signal flow are related and bas

30: Limiter-Exciter30: Limiter-ExciterAfter being sent through a limiter effect that evens out the volume of the input signal, the sound is sent throu

Chapter 4. Effects31: Overdrive-Amp Sim. (Overdrive-Amp Simulator)After being sent through an overdrive effect, the sound is sent through an effect th

3. MIDI Channel and Device ID settingsChapter 5. MIDIThis chapter explains how MIDI can be used for automation and system expansion, and explains othe

Chapters. MIDI4. Using MIDI for automationWhen panel operations are performed on the 168RC, MIDI messages will be transmitted. The adjustments

6. Using MIDI for system expansion6. Using MIDI for system expansionWhen you wish to expand your system by connecting two or more 168RC units, digital

Chapters. MIDIDuplicateThis setting allows operations on one 168RC to be exactly duplicated on another 168RC. This will cause settings to be mirrored

7. 168RC MIDI specifications7. 168RC MIDI specif ¡cationsThe functions which can be performed on the 168RC via MIDI can be broadly classified into th

Chapters. MIDIParameter changes using NRPNThe internal parameter number will correspond to the NRPN number.168RC parameter# MIDI Ch MSB (CC#99) LSB (C

7. 168RC MIDI specificationsSystem Exclusive messagesFO: Exclusive header F7: End of ExclusiveALL EQ MEMORY NAME DUMPUniversal System ExclusiveRequest

Chapters. ReferenceChapter 6. Reference1.This chapter contains various cormection examples for systems, specifications, error messages, and blo

Chapter 1. BasicsAutomated mixingUp to 100 different combinations of settings can be saved in memory as a Program, for immediate recall whenever requi

1. System connection examplesA recording system which adds one adot and a Trinity (with Dl/F option installed)O In addition to the settings described

Chapters. ReferenceA recording system using two odot unitsO Use an ADAT-SYNC cable to connect the SYNC OUT of the first adat to the SYNC IN of the sec

1. System connection examplesA recording system using two 168RC units and two odat unitsO Use a MIDI cable to connect the first 168RC's MIDI IN t

Chapters. Reference2. TroubleshootingNothing appears in the LCD when the [POWER] switch is pressed• Is the power cable connected to an AC outlet?----

4. Specifications3. Error messages¡EOl Battery !E02 MIDI 1 !E03 MIDI 2!E04 MIDI 3The voltage of the internal memory backup battery is low. Please con

Chapters. Reference5. External appearance6. Ophions880A/D880D/ARM168RCA/D converter D/A converter Rack mount kit88

7. 168RC PARAMETERS LIST WITH ORIGINAL No.Exanfile [Some has no data here ]049PAN, PI, L01-L50I/S/P, PI, CHI, PAN, 101, R50-R01, CNT,090 BUS,PI,CHIO,

coо2QQBUS,Pl,CH8,G7, 2,ON, OFF201BUS,Pl,CH9, G7, 2,ON, OFF202 BUS,Pl,CHIO, G7, 2,ON, OFF203 BUS,Pl,CHll, G7, 2,ON, OFF204 BUS,Pl,CH12, G7, 2,ON, OFF20

402I/S/P,Pl,СНб, EFFl, 2, PRE, POST 457 I/S/P, Pl, EFF SEND, P2, CH13, EFF2 SEND, 101, 0-100403I/S/P,Pl,CH7, EFFl, 2, PRE, POST 458I/S/P, Pl, EFF SEND

CDro8. Send ParameterINPUT, PI, I/S/P, PI, Chi, 24, DIG-Al, DIG-A2, DIGAS, DIG-A4, DIG-A5, DIG-A6, DIG-A7, DIG-A8, DIG-Bl, DIG-B2. DIG-B3, DIG-B4, DI